The Phantom Tollbooth

Music and more from a Christian perspective

Slow down, and have your change ready

Since 1996

Polydactyl is a strong showcase of Ed Bernard’s mature musicianship, caliber of songwriting, and clear musical vision.

Preludes-Etudes-Album-200x179 The electric guitar as the centerpiece of a classical album... this guitar slinger heroically tackles the classics plugged in and at full gallop!

Big Big Train - Folklore as reviewed on The Phantom Tollbooth Folklore has energy, melody, nuance, and character, and it’s certainly a candidate for best album of 2016.

Wassail is a solid EP, foreshadowing Big Big Train’s forthcoming material. This is just another bite-sized portion of the band’s stylistic craft, enough to keep fellow “passengers” whistling for a while longer as we wait for the Train to once again depart the station.

Derivative in a healthy way, this cohesive band delivers a very solid set of riffy, slide-based and banjo-enhanced rock

Bishop Reilly is a mature offering from a pair of musicians with a lot of experience behind them. Their music is a conjunction of folk, blues, and rock: a vehicle for stories that connect to the human heart.

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I find it enriching to listen to music that communicates from a cultural context different than my own.

Treva-Blomquist-So-We-Would-Know 90

Treva Blomquist adapts ancient verse to make them sound like folk anthems.

The Bloody Strummers as reviewed in The Phantom Tollbooth Josh Lory (Western Grace, LS Underground) and Matt Biggers offer up a blend of late 60's psychedelic/garage rock produced by Masaki Liu. 'Nuff said.

blueoct Far be it from me to ever ignore art born of pain.

bluetouchpaper drawingbreath, A jazz album that enjoys being funky, introduces shades of world music, glows with colour and delights in the unexpected.